For over a century, the name of Chanel has been inextricably linked to elegance, modernity and fashion innovation. It was Chanel who single-handedly made striped jerseys and loose trousers chic, costume jewellery desirable, the little black dress the height of sophistication, and tweed suits a staple of every stylish woman's wardrobe. In this revised and updated book, dress historian Amy de la Haye celebrates Gabrielle 'Coco' Chanel as the couturiere who changed the way stylish women everywhere dress, then and now. She examines the creative output of this most famous of fashion houses, from its infancy in the 1920s through Karl Lagerfeld's incredibly successful tenure, and to the present day as it continues to prosper under Virginie Viard.

Clara Button loves hats, and when her older brother Ollie breaks her favourite, Mum takes them on a special hat day out. While visiting the Victoria and Albert Museum, Clara gets lost and embarks on an exciting journey of discovery. Meanwhile, Ollie is having adventures of his own, with swords and tigers! This lovely paperback edition includes a free set of Clara Button stickers.

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

Clara Button returns - alongside her brother Ollie - in another charming and beautifully illustrated story. After the postman delivers their invitation to a wedding, Clara and Ollie begin careful preparations. Clara imagines what the bride might wear, and might have worn in the past, but disaster strikes the night before the big event! Can Ollie and his inventions - and a visit to the haberdashery - save the day? Playful and whimsical while packed with beautiful details from the V&A, this wonderful story is sure to enthrall and enchant.

The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today - this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

An exploration of how the rose-the most ravishingly beautiful and symbolic of flowers-has inspired fashion over hundreds of years The Rose in Fashion: Ravishing is a fascinating exploration of how the rose has inspired the way we look, dress, feel, and fantasize. It foregrounds innovative, refined, and challenging fashion design from elite 18th-century woven silks to the latest gender-neutral catwalk trends and Alexander McQueen rose dresses. Drawing upon fashion clothing, everyday dress, millinery, fine jewelry, perfume, and artificial and fresh roses, multiple expert contributors make reference to love, beauty, sex, sin, gendered identities, rites of passage, transgression, degradation, and death. This sumptuously illustrated book also includes a contribution and stunning images of roses by visionary photographer Nick Knight. Wild yet cultivated, savage yet delicate, this flower has remained an enduring symbol perhaps due to its versatility and the dichotomies it represents.

London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits, by way of spectacular royal dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the `London Look' to the world. Expert authors from around the world have delved into the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London Fashion houses of the early to mid-twentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Worth, Hardy Amies and Lucile. The ancillary dressmaking trades in London are also considered, as are the international market for London couture, and the impact of royal dress on high-end fashion. A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall. Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth, Margot Fonteyn, Rose Kennedy and countless stars of stage and screen.

An exploration of the role of the handbag in the history of culture, fashion, and material production The history of the handbag-its design, how it has been made, used, and worn-reveals something essential about women's lives over the past 500 years. Perhaps the most universal item of fashionable adornment, it can also be elusive, an object of desire, secrecy, and even fear. Handbags explores these rich histories and multiple meanings. This book features specially commissioned photographs of an extraordinary, newly formed collection of fashionable handbags that date from the 16th century to the present day. It has been acquired for exhibition in the first museum devoted to the handbag, in Seoul, South Korea. The project is a commission undertaken by experimental exhibition-maker Judith Clark, whose innovative practices are revealed in Handbags. Essays by leading fashion historians and an acclaimed psychoanalyst investigate the history of gesture, the psychoanalysis of bags, and the museum's state-of-the-art mannequins and archive cabinets. In order to preserve the words that describe the unique qualities of each bag, a terminology of handbags has been compiled. Published in association with the Simone Handbag Museum, Seoul

I don't understand how a woman can leave the house without fixing herself up a little - if only out of politeness. And then, you never know, maybe that's the day she has a date with destiny.' Coco Chanel Amy de la Haye brings together the secrets of style from the world's greatest fashion designers, their famous clients and others from the world of fashion in this delightful illustrated dictionary. Preserving the wisdom of fashion's big names, from Chanel on perfume, to Dior on elegance and Schiaparelli on hats, this charming compendium is illustrated with newly commissioned line drawings of accessories and clothing from the V&A's celebrated fashion collection by Emma Farrarons. A to Z of Style, a handy guide full of timeless advice, is the perfect gift for anyone with a sense of style or fun.

Hannah Gluckstein (who called herself Gluck; 1895-1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres-still life, landscape, portraiture-as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter. Published in association with the Brighton Museum & Art Gallery and London College of Fashion Exhibition Schedule: Brighton Museum & Art Gallery, England (11/18/17-03/11/18)

From the turn-of-the-century S-bend silhouette to the green fashion and celebrity couture of the new millennium, this comprehensive survey explores all the significant developments in fashion in a period that has seen a growing preoccupation with personal appearance and clothes. It focuses on key movements and innovations in style for both men and women, and explores these through the work of the most original and influential designers. Chapters are organized around crucial shifts in style and major world events, and exciting advances in fashion are placed within their socioeconomic, political, and cultural contexts. International in scope, this new edition includes updates on the most important new designers and the reinvention of brands. The reference section includes an extensive bibliography."

Duo-dichtbundel van Amy de La Haye (Den Haag) en Gerhard te Winkel (Leusden). Verrassende gedichten, fris en intens van toon en inhoud. Voor alle leeftijden.

The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.